- Chinese version of concept
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- Funding and Participating Institutions and Organizations
- Hungry Urbanization: Eating Beijing
- image galleries
- Beijing, summer 2007, from a bicycle point of view
- Editing the OSM with Potlatch
- Frida's control panel
- Frida Illustration
- Frida tracks, OSM data, Beijing
- Frida V, Hou Hai lake in google earth
- Frida V., Beijing grid, google earth
- Frida V., hutong, google earth
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- OpenStreetMap of Beijing - no. 1
- OpenStreetMap of Beijing - no. 2
- OpenStreetMap of Beijing - no. 3
- OrgNets + OpenStreetMap Presents: Beijing Bicycle Tour
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- Urban China Contents
- Beijing’s Art Districts: From Creative Hubs to Entertainment Centres
- Borderline Moving Images 2007
- Can You Manufacture a Creative Cluster?
- Constructing The Real (E)state of Chinese Contemporary Art: Reflections on 798, in 2004
- Creative China, Managerial Innovation, Global Brands: Interview with John Howkins
- Creative Clusters: Out of Nowhere?
- Creative Industries or Wasteful Ones?
- Creative Industries Timeline
- Creative Industries with Chinese Characteristics: An Interview with Professor Zhang Jingcheng
- Cultural Heritage Map of Beijing
- Detours and Developments in Beijing’s Music Scene
- Every Morning and One Day
- Frida V. in Beijing and OpenStreetMap's First Leaps in Beijing
- Holes in the Net? State Rescaling, Creative Control and the Dispersion of Power
- HomeShop Series Number One: Games 2008 Off the Map
- How Demographics and Scale Determine Business Models for Chinese Internet Companies
- How Foreign Architects became International Architects: A Case Study of China's Creative Construction Agenda
- Introduction: Counter-Mapping Creative Industries in Beijing
- Introduction: Counter-Mapping Creative Industries in Beijing
- Introduction to Section 1: Network Ecologies of Creative Waste
- Introduction to Section 2: Information Geographies vs. Creative Clusters
- Introduction to Section 3: Migrant Networks and Service Labour
- Introduction to Section 4: Centrality of Real-Estate Speculation for Creative Economies
- Introduction to Section 5: Import Cultures/Export Innovations in Architecture + Urban Design
- Introduction to Section 6: Artist Villages and Market Engineering
- Inverting the Cultural Map: Peripheral Geographies of Beijing’s Creative Production
- Is there Really Space for Creativity?
- Mapping Architectural Practice in Beijing
- Migrant Workers, Collaborative Research and Spatial Pressures: An Interview with Meng Yue
- Moving Towards a Creative Society
- Network Ecologies: Documenting Depletion, Exhausting Exposure
- Network of Contributors
- OrgNets + OpenStreetMap Presents: Beijing Bicycle Tour
- Other Kinds of Ambitions: From Artist Villages to Art Districts
- Prologue: Creative China (extract)
- Section 1: Network Ecologies of Creative Waste
- Section 2: Information Geographies vs. Creative Clusters
- Section 3: Migrant Networks and Service Labour
- Section 4: Centrality of Real-Estate Speculation for Creative Economies
- Section 5: Import Cultures / Export Innovations in Architecture and Urban Design
- Section 6: Artist Villages and Market Engineering
- Section 7: Policy
- Section 8: Creative Portraits
- The Art of Keys: Profit and Loss in the Art Village Industry
- The Uncertain Aesthetics of Contemporary Chinese Visual Culture
- Urban China - Counter-Mapping Creative Industries (Special Issue)
- Urban China - Cover
- Urban China no.33 ordering information
- Urban food production
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Every Morning and One Day
Submitted by admin on Sun, 07/12/2008 - 00:50.
By Ni Weifeng
Every morning I wake up in a glass house. Only when I find myself under the cover of night, do I dare let my mind wander freely;
Everyday I roam paranoid streets of probing eyes. Only when they are closed, can I document what I see.
One morning I still will wake up in a glass house. But no one on the outside cares what they see. Only then will I drive my pen;
One day, I will roam streets with clear skies and indifferent eyes. And only then will I dare to speak my mind.
Bio
Ni Weifeng, born in the 1980s, is a blogger and freelance new media researcher. Meanwhile, he works for local and international broadcasters as a planner, fixer and field producer.
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